
Game Winner
Joey Dosik didnât set out to make a conceptual EP about basketball. It was his first love before music, and some of his earliest memories are of attending Lakers games, but heâd never thought to look to the sport for inspiration. But when Joey blew out his knee during his regular pick-up game and had to undergo reconstructive ACL surgery, he found himself confined to the couch, watching a lot of television and waiting to resume his normal life. He gravitated toward basketball, and when he started recording again, he found it seeping into his writing. The result is Game Winner, a brisk, emotive collection of songs loosely inspired by the language and lore of the game.
The marriage of sports and music usually brings to mind corny arena jams or get-hyped anthems. Game Winner is anything but that. At once cool and confident, it mirrors the NBAâs trademark swagger, as well as Joeyâs journey back to musicâand his belief that he could get there. Itâs no accident that during this time, Joey immersed himself in gospel to lift his spirits, particularly Detroitâs Clark Sisters. The title track may be about a big win on the court, but its pleading melody and percussive piano point to something larger.
By nature, Joey isnât a solitary creature. Heâs an inveterate collaborator who has worked extensively with the likes of Vulfpeck, Nikka Costa and Miguel Atwood Ferguson, and who is a vital part of an LA scene that updates vintage sounds into a more contemporary context. But Game Winner was a very different project with a very different process. And while he enlisted some help as it developed, the lionâs share of the EP was recorded solo in Joeyâs home studio.
Following his surgery, Joey essentially had to build himself back up from scratch. And like an athlete coming back from a major injury, it was the finer nuances â those subtle moves and intricacies that make your skills your own â that took the most time and the most sweat. âIt was my healing space,â Joey says. âI was recovering from my injury, icing down ten times a day, doing therapy, getting on the exercise bike. One basketball theme turned into another and I realized I was really getting into music as therapy⊠trying to heal myself physically and mentally.â
While at times impeccably stylized, Game Winner has a candor to it that, oddly enough, ties directly back to his relationship with the sport. âIâve been loving sports my whole life. Itâs something I can write about, sing about, and be passionate about in a real way. Itâs genuinely me; it allowed me to be more honest as an artist.â
âCompetitive Streakâ is a spacey, earnest groove that shouts out Joeyâs boyhood idols Magic Johnson and Kareem Abdul-Jabbar without shattering the mood. Stylistically, basketball of the past also proved to be a source of material. âI used to watch VHS tapes like Magic Johnsonâs instructional video Put Some Magic In Your Game or Michael Jordan: The Air Up There over and over again,â Joey says, âand with âThe Night Before,â the opening solo piano track, I was imagining something that couldâve been the soundtrack to one of these â80s videos.â
He also drew from other sounds associated with that eraâs NBA, like Sade and smooth jazz curios that âmay have been lost forever.â âRunning Away,â the pulsating ballad, has elements of nostalgia to it, maybe even shades of vintage Marvin Gaye, but the chorus slaps in a way that feels utterly contemporary. âCompetitive Streakâ blends eras with â70s-style orchestrations, modern soul flourishes, and guitars wholly in step with the pop of today.
The common thread here is musicality and song craftâthe two pillars of Joeyâs sound. âThe most important thing is the song,â explains Joey. âSongwriting wonât go out of style.â Itâs that approach, one that thinks beyond style, that gives the EPâs title track its magic. Minimal and almost languid, âGame Winnerâ has a confidence thatâs hard to place in time, an ease that meets a buzzer-beater just as well as it meets a Sunday morning.
Game Winner may be a snapshot, but itâs hardly an anomaly or an outlier. Itâs Joey doing what heâs always done. Basketball may have been Joeyâs first love, but the sport is also the perfect metaphor for where heâs ended up musically, always striving to stay timely and timeless, to bring deep, foundational elements in sync with innovation and imagination.
Original: $14.99
-70%$14.99
$4.50More Images



Game Winner
Joey Dosik didnât set out to make a conceptual EP about basketball. It was his first love before music, and some of his earliest memories are of attending Lakers games, but heâd never thought to look to the sport for inspiration. But when Joey blew out his knee during his regular pick-up game and had to undergo reconstructive ACL surgery, he found himself confined to the couch, watching a lot of television and waiting to resume his normal life. He gravitated toward basketball, and when he started recording again, he found it seeping into his writing. The result is Game Winner, a brisk, emotive collection of songs loosely inspired by the language and lore of the game.
The marriage of sports and music usually brings to mind corny arena jams or get-hyped anthems. Game Winner is anything but that. At once cool and confident, it mirrors the NBAâs trademark swagger, as well as Joeyâs journey back to musicâand his belief that he could get there. Itâs no accident that during this time, Joey immersed himself in gospel to lift his spirits, particularly Detroitâs Clark Sisters. The title track may be about a big win on the court, but its pleading melody and percussive piano point to something larger.
By nature, Joey isnât a solitary creature. Heâs an inveterate collaborator who has worked extensively with the likes of Vulfpeck, Nikka Costa and Miguel Atwood Ferguson, and who is a vital part of an LA scene that updates vintage sounds into a more contemporary context. But Game Winner was a very different project with a very different process. And while he enlisted some help as it developed, the lionâs share of the EP was recorded solo in Joeyâs home studio.
Following his surgery, Joey essentially had to build himself back up from scratch. And like an athlete coming back from a major injury, it was the finer nuances â those subtle moves and intricacies that make your skills your own â that took the most time and the most sweat. âIt was my healing space,â Joey says. âI was recovering from my injury, icing down ten times a day, doing therapy, getting on the exercise bike. One basketball theme turned into another and I realized I was really getting into music as therapy⊠trying to heal myself physically and mentally.â
While at times impeccably stylized, Game Winner has a candor to it that, oddly enough, ties directly back to his relationship with the sport. âIâve been loving sports my whole life. Itâs something I can write about, sing about, and be passionate about in a real way. Itâs genuinely me; it allowed me to be more honest as an artist.â
âCompetitive Streakâ is a spacey, earnest groove that shouts out Joeyâs boyhood idols Magic Johnson and Kareem Abdul-Jabbar without shattering the mood. Stylistically, basketball of the past also proved to be a source of material. âI used to watch VHS tapes like Magic Johnsonâs instructional video Put Some Magic In Your Game or Michael Jordan: The Air Up There over and over again,â Joey says, âand with âThe Night Before,â the opening solo piano track, I was imagining something that couldâve been the soundtrack to one of these â80s videos.â
He also drew from other sounds associated with that eraâs NBA, like Sade and smooth jazz curios that âmay have been lost forever.â âRunning Away,â the pulsating ballad, has elements of nostalgia to it, maybe even shades of vintage Marvin Gaye, but the chorus slaps in a way that feels utterly contemporary. âCompetitive Streakâ blends eras with â70s-style orchestrations, modern soul flourishes, and guitars wholly in step with the pop of today.
The common thread here is musicality and song craftâthe two pillars of Joeyâs sound. âThe most important thing is the song,â explains Joey. âSongwriting wonât go out of style.â Itâs that approach, one that thinks beyond style, that gives the EPâs title track its magic. Minimal and almost languid, âGame Winnerâ has a confidence thatâs hard to place in time, an ease that meets a buzzer-beater just as well as it meets a Sunday morning.
Game Winner may be a snapshot, but itâs hardly an anomaly or an outlier. Itâs Joey doing what heâs always done. Basketball may have been Joeyâs first love, but the sport is also the perfect metaphor for where heâs ended up musically, always striving to stay timely and timeless, to bring deep, foundational elements in sync with innovation and imagination.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Joey Dosik didnât set out to make a conceptual EP about basketball. It was his first love before music, and some of his earliest memories are of attending Lakers games, but heâd never thought to look to the sport for inspiration. But when Joey blew out his knee during his regular pick-up game and had to undergo reconstructive ACL surgery, he found himself confined to the couch, watching a lot of television and waiting to resume his normal life. He gravitated toward basketball, and when he started recording again, he found it seeping into his writing. The result is Game Winner, a brisk, emotive collection of songs loosely inspired by the language and lore of the game.
The marriage of sports and music usually brings to mind corny arena jams or get-hyped anthems. Game Winner is anything but that. At once cool and confident, it mirrors the NBAâs trademark swagger, as well as Joeyâs journey back to musicâand his belief that he could get there. Itâs no accident that during this time, Joey immersed himself in gospel to lift his spirits, particularly Detroitâs Clark Sisters. The title track may be about a big win on the court, but its pleading melody and percussive piano point to something larger.
By nature, Joey isnât a solitary creature. Heâs an inveterate collaborator who has worked extensively with the likes of Vulfpeck, Nikka Costa and Miguel Atwood Ferguson, and who is a vital part of an LA scene that updates vintage sounds into a more contemporary context. But Game Winner was a very different project with a very different process. And while he enlisted some help as it developed, the lionâs share of the EP was recorded solo in Joeyâs home studio.
Following his surgery, Joey essentially had to build himself back up from scratch. And like an athlete coming back from a major injury, it was the finer nuances â those subtle moves and intricacies that make your skills your own â that took the most time and the most sweat. âIt was my healing space,â Joey says. âI was recovering from my injury, icing down ten times a day, doing therapy, getting on the exercise bike. One basketball theme turned into another and I realized I was really getting into music as therapy⊠trying to heal myself physically and mentally.â
While at times impeccably stylized, Game Winner has a candor to it that, oddly enough, ties directly back to his relationship with the sport. âIâve been loving sports my whole life. Itâs something I can write about, sing about, and be passionate about in a real way. Itâs genuinely me; it allowed me to be more honest as an artist.â
âCompetitive Streakâ is a spacey, earnest groove that shouts out Joeyâs boyhood idols Magic Johnson and Kareem Abdul-Jabbar without shattering the mood. Stylistically, basketball of the past also proved to be a source of material. âI used to watch VHS tapes like Magic Johnsonâs instructional video Put Some Magic In Your Game or Michael Jordan: The Air Up There over and over again,â Joey says, âand with âThe Night Before,â the opening solo piano track, I was imagining something that couldâve been the soundtrack to one of these â80s videos.â
He also drew from other sounds associated with that eraâs NBA, like Sade and smooth jazz curios that âmay have been lost forever.â âRunning Away,â the pulsating ballad, has elements of nostalgia to it, maybe even shades of vintage Marvin Gaye, but the chorus slaps in a way that feels utterly contemporary. âCompetitive Streakâ blends eras with â70s-style orchestrations, modern soul flourishes, and guitars wholly in step with the pop of today.
The common thread here is musicality and song craftâthe two pillars of Joeyâs sound. âThe most important thing is the song,â explains Joey. âSongwriting wonât go out of style.â Itâs that approach, one that thinks beyond style, that gives the EPâs title track its magic. Minimal and almost languid, âGame Winnerâ has a confidence thatâs hard to place in time, an ease that meets a buzzer-beater just as well as it meets a Sunday morning.
Game Winner may be a snapshot, but itâs hardly an anomaly or an outlier. Itâs Joey doing what heâs always done. Basketball may have been Joeyâs first love, but the sport is also the perfect metaphor for where heâs ended up musically, always striving to stay timely and timeless, to bring deep, foundational elements in sync with innovation and imagination.









